Though I’ll be honest, I drifted away after Petersen left.
How about a comedy, you know? Who doesn’t like getting laughs?
It was a great part, I had a good time doing it, and she had a lot of sass and swagger and intelligence and all that, but I’d rather do something completely different. I still get lots of offers of playing that kind of a character. HELGENBERGER: That’s the one downfall of being on a television show that was as monster of a hit as CSI - you can get typecast, and people sort of see you in that role. It must also be hard to break away from it as an actor. MW: When we become used to seeing someone in a specific role on television for so long, it’s hard to mentally break away from the character. I don’t think she’s as bad as her brothers, who have spent decades cheating people, and treating people poorly, and being dishonest. She’s just got amazingly sharp wit - nothing gets by her. She’s also just got so many other great qualities. They’re juicy parts, and people love to hate them. On the other hand, villains are kind of fun to play. I was thrown back, I said, “Yeah, she’s a pretty cruel person.” She was kind of freaked out by it. Afterwards, first thing out of her mouth upon meeting me, she goes, “You were so mean! You were just so mean!” She couldn’t believe how horrible I was. I said, “Everybody’s going to hate me!” and Kyle Donnelly, the director, goes, “You can’t expect them to like you.” It’s not that I really expected that, but it goes against everything about me, because I can’t imagine doing anything like that to anybody, and just as an actor, you do kind of want to be liked.Ĥ Men Punched Outside Gay Club In ProvidenceĪ friend of mine came to the show the other night, and she brought a friend of hers who I didn’t know. HELGENBERGER: When we were still in rehearsals, I was freaked out. But there’s really no way to like Regina. MW: When you take on a starring role, as an actor you generally want to have the audience sympathize with you. She’s got this anger that’s been built up for years and years and years, because of not getting any kind of inheritance. I was like, “Who does that?” Unless you’re just so ambitious, so cut off, so desperate. When I first started working on it, I was kind of scared of the cruelty, because I just can’t imagine doing that to someone. It’s just easy breezy, you know? Then it just progressively gets more challenging, and Regina gets progressively more manipulative, and then just gets downright cruel. MARG HELGENBERGER: The first act is fun, because it’s setting up the plot, and I get to flirt. What is it like to inhabit such an evil character? METRO WEEKLY: You have to become Regina every night.
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Helgenberger may not be an evil woman herself, but she sure as hell knows how to bring one to vivid life. She infuses the southern viper with just enough humanity to make her poison that much more lethal. But in her presence, one feels an intense gust of strength, assuredness, intellect, traits that carry over to her portrayal. Helgenberger, of course, is nothing like Regina. (That said, she’s well-matched in The Little Foxes by a Washington powerhouse cast that includes Ed Gero, Isabel Keating and Jack Willis, as Regina’s beleaguered, ailing husband, Horace.)Ĭharlie Puth Is The Thirstiest Male Pop Star Helgenberger brings presence to almost any part she plays, and when she’s onstage, inches away, it’s impossible to tear your gaze from her. Witness her indelible portrayal of Catherine Willows in CSI: Crime Scene Investigation, in which she served as an emotional balance to William Petersen’s cool, distant Gil Grissom. Stepping into Regina’s shoes is a formidable task for nearly any actress, but you need starpower to truly carry the part. Tallulah Bankhead opened it on Broadway, Bette Davis immortalized it in William Wyler’s classic film, Anne Bancroft and Elizabeth Taylor starred in revivals, the latter of which played for six weeks at the Kennedy Center in the early eighties. Hellman’s 1939 masterpiece has seen its share of legends take on the role of Regina. Even if you’re familiar with The Little Foxes, Lillian Hellman’s heart-stopping drama about selfishness, greed and deceit, and even if you know what’s about to transpire, nothing can prepare you for the ice-cold vigor with which Helgenberger plays Regina Gibbons, a woman who uses circumstance to her advantage in the most brutal means possible.
Every night, Marg Helgenberger dons a stunning, early 20th century Southern gown and enacts a moment as shocking as it is criminal.
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